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Hidden in Plain Sight, November 2024
Don’t Blow Up The Walls, October 2024
Notes Taken While Watching a Pirated Copy of Godard’s Histoire(s) du Cinema, September 2024
A Life of Films Watched in Passing, August 2024
Some Very Fragmented Thoughts on Screen Size, May 2024
On The Road Again: Civil War and The Sweet East, May 2024
Not Boring Enough, April 2024
Not This Crude Matter: The Force in Star Trek, April 2024
Morning Cinema: Madame Ordinary, March 2024
The Past After You, 2023
Contemporary Film Critique Syllabus, Spring 2024
Color Photo Syllabus, Spring 2024
Film Essay Syllabus, Spring 2024
On Waiting And How To Think About It, 2020
Deconstructive Approach: The Benefits of Contextualizing Photography, 2020
Echoing Daily Life: Distance and The Absurd in Post-Pandemic Art, 2020
Editing Time: Duration, Montage and The Way The Spectator Experiences Moving and Still Images (M.F.A. Thesis), 2020
ice cream makes me worry for the past and milkshakes make me worried for the future, 2016
Don’t Blow Up The Walls, October 2024
Notes Taken While Watching a Pirated Copy of Godard’s Histoire(s) du Cinema, September 2024
A Life of Films Watched in Passing, August 2024
Some Very Fragmented Thoughts on Screen Size, May 2024
On The Road Again: Civil War and The Sweet East, May 2024
Not Boring Enough, April 2024
Not This Crude Matter: The Force in Star Trek, April 2024
Morning Cinema: Madame Ordinary, March 2024
The Past After You, 2023
Contemporary Film Critique Syllabus, Spring 2024
Color Photo Syllabus, Spring 2024
Film Essay Syllabus, Spring 2024
On Waiting And How To Think About It, 2020
Deconstructive Approach: The Benefits of Contextualizing Photography, 2020
Echoing Daily Life: Distance and The Absurd in Post-Pandemic Art, 2020
Editing Time: Duration, Montage and The Way The Spectator Experiences Moving and Still Images (M.F.A. Thesis), 2020
ice cream makes me worry for the past and milkshakes make me worried for the future, 2016